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By Nicolas Rapold. This year has been anything but boring for the actress. The wild array makes it hard to have a single image of Seydoux herself.
Despite her sometimes imposing roles, Seydoux in conversation marches to the beat of her own drummer. At a Midtown boutique hotel, she paused frequently, at times trailing off into silence, yet she beamed with affability and curiosity.
But Seydoux freely shifted from Bond talking points to off-handed analysis of her roles.
I liked how natural she was. I was interested in working with her nature to build an artificial character. Her briskness and wit keep up the comic tempo. I had trouble reading. It connects me to the world. Public disagreements followed.
She said proudly that she would do it again. But she did realize something about choosing directors.
The plot? They have organs growing. I remove these organs. Seydoux had to skip Cannes and quarantine in Paris where she lives with her partner and their toddler son. Her character is a single mother caring for her ailing father and finding love. Supported by. Then she quirkily doubles back for a joke.
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